111 UMMA Objects
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This print is made up of overlaying photographs in a reddish-orange tint. Spots of red also overlap each other, and the photographs, and there is a large horizontal swath of a deeper red along the top. The print is editioned, signed and dated in pencil (l.r.) "31/36 RAUSCHENBERG 1962".
Robert Rauschenberg (American (North American))
Stunt Man III
1962
Gift of Mr. and Mrs. Samuel Sachs II
1964/1.88
Portrait of Hollywood actress Marilyn Monroe.
Andy Warhol (American (North American))
Marilyn
1967
Gift of Frances and Sydney Lewis
1969/1.86
This color photolithograph is in shades of purple and blue and has an image of a woman's head. She is wearing an elaborate hat and glasses. The hat is a large sphere and is covered in stripes of colored sequins. The glasses also have colored sequins but in the shape of flowers.
Sir Eduardo Paolozzi (British (modern))
Cucumber Night Cream
1965 – 1970
Gift of Professor Diane M. Kirkpatrick
2000/2.14.27
A bust-length portrait of a woman. She is wearing a black dress and red lipstick, and has curly dark hair. She stands with her body turned to the side while she looks directly into the camera’s lens.
Andy Warhol (American (North American))
Shaindy Fenton
1977
Gift of The Andy Warhol Foundation for the Visual Arts, Inc.
2008/2.18
A bust-length portrait of a woman. She is wearing a dark floral dress and red lipstick, and has straight dark hair. She stands with her body facing away from the camera while her head is turned over her shoulder towards the viewer. Her gaze is fixed on a point to the left of the camera lens. 
Andy Warhol (American (North American))
Deeda Blair
1976 – 1977
Gift of The Andy Warhol Foundation for the Visual Arts, Inc.
2008/2.31
An out-of-focus photograph of a woman’s arm and the pattern of her floral dress.  
Andy Warhol (American (North American))
Deeda Blair
1976 – 1977
Gift of The Andy Warhol Foundation for the Visual Arts, Inc.
2008/2.34
A bust-length portrait of a woman. She is wearing a green shirt, a necklace, earrings and red lipstick. She has straight, chin-length blonde hair that is pinned back. She stands facing away from the camera and with her head tilted back towards the viewer—with a calm expression she looks toward the camera lens.
Andy Warhol (American (North American))
Unidentified Woman #30
1986
Gift of The Andy Warhol Foundation for the Visual Arts, Inc.
2008/2.42
This screenprint has a simple, graphic image of a folded piece of paper on a table. The folded paper outline with dark black lines and colored in a beige color. The table is similarly outlined and is colored white. The background is a bright red color. The print is inscribed by the artist in pencil (l.r.).
Patrick Caulfield (British (modern))
Watch me eat, without appetite, à la carte
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.2
This print has two series of thick black parallel lines that form a zig-zag pattern and connect out to a series of spheres, resembling a wall-mounted coat rack. There are two lines of spheres; the three on the top are light purple and the three on the bottom are dark purple. The background and the structure created by the parallel lines is in a dark purple. The print is signed and editioned in pencil (l.r.) "Patrick Caulfield AP".
Patrick Caulfield (British (modern))
Oh! if one of Them, some fine evening, would try
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.10
This print is almost entirely solid black. At the top center, there are two planes of color, shades of blue, separated by a thick black line. This creates an image resembling an opened curtain, looking out a window from a dark room. The print is signed and editioned in pencil (l.r.) "Patrick Caulfield AP".
Patrick Caulfield (British (modern))
And, with my eyes bolting toward the unconscious
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.12
The majority of this print is solid black but on the right, there is a sliver of bright pink in the shape of a triangle. The print is signed and editioned in pencil (l.r.) "Patrick Caulfield AP".
Patrick Caulfield (British (modern))
Curtains drawn back from balconies of shores
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.21
This print consists of a series of horizontal bands that are made up of a variety of patterns, from grids to dots. The colors used are black, dark and light orange, yellow, pink, tan, white, blue, and red. At the base of the print, there is text in tan that reads: "The theory of relativity, may certainly be a true description of the facts concerned, even though the theory a theory which took such liberties fully, with the help of what is nothing but a host of metaphors taken from the languages of physics, of biology, and of social life, works out / their categorical structure, and only recasts what has formed concentric circles, surrounded by smaller orbs of the same space; then again a vertical band filled with horizontal strokes; and lastly, two vertical bands of concentric circles". The print is signed and numbered (l.r.) "Eduardo Paolozzi A.P 7".
Sir Eduardo Paolozzi (British (modern))
Theory of Relativity
1967
Gift of Professor Diane M. Kirkpatrick
2000/2.11.9
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